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Michael Strickland Images

Photographer and Printmaker
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Salt Stream at Twilight, Chamonix 4x5, Rodenstock 75mm f/6.8, 2m exposure @ f/32 on Fuji Provia 100F  - March, 2019

Salt Stream at Twilight, Chamonix 4x5, Rodenstock 75mm f/6.8, 2m exposure @ f/32 on Fuji Provia 100F - March, 2019

Trip Report: Death Valley National Park, March 2019

August 8, 2019

In March of 2019, I spent a little over a week in Death Valley National Park, both scouting for personal work, as well as teaching a workshop there with Muench Workshops. I explored a few areas of the park I had never visited, and revisited some old locations. With such a wet winter, there was quite a bit of water in areas of the park I had never seen previously. I spent around three days driving and hiking around the park before the workshop started, which took us out to the Eureka Dunes.

Desert Storm, Chamonix 4x5, Rodenstock 90mm f/6.8, 30” exposure @ f/32 on Fuji Velvia 50 - March, 2019

Desert Storm, Chamonix 4x5, Rodenstock 90mm f/6.8, 30” exposure @ f/32 on Fuji Velvia 50 - March, 2019

The Eureka Dunes are a very tall (the tallest dune is around 700 feet) dune field tucked away in the backcountry of Death Valley, requiring 4x4 vehicles and a little bit of navigating some deep sand to get to. We were expecting a fair bit of weather on our two night stay out there, but we weren’t expecting downright thunderstorms for two days. While it was wet, and frankly a little obnoxiously windy, the moody clouds were awesome to photograph. Since I was shooting with my 4x5, most of my shots were shut down by the high winds, but I was able to get a few off, the one above being my favorite of the group. I loved the distinct line leading the eye to the big dune in the center of the frame with the dark, ominous clouds in the background. Definitely some pretty unusual conditions while we were out there!

 My tent being pummeled by the wind.

My tent being pummeled by the wind.

 Base camp at Eureka Dunes

Base camp at Eureka Dunes

 Snow!

Snow!

 My 4x5 camera, set up for the composition seen above.

My 4x5 camera, set up for the composition seen above.

Our workshop group at Badwater
Our workshop group at Badwater
 My 4x5 set up at the salt stream

My 4x5 set up at the salt stream

 The “dining room”

The “dining room”

 Our workshop group in the Eureka Dunes

Our workshop group in the Eureka Dunes

 My tent being pummeled by the wind.  Base camp at Eureka Dunes  Snow!  My 4x5 camera, set up for the composition seen above. Our workshop group at Badwater  My 4x5 set up at the salt stream  The “dining room”  Our workshop group in the Eureka Dunes

On our way back into the main valley, after leaving Eureka Dunes, we left camp in a fairly steady downpour, which turned the roads to mush. Steadily, we climbed into the mountains and the heavy rain turned into a stunning wet snowfall, leaving a trace of white on the desert peaks. It was absolutely spectacular to see such a gorgeous desert landscape covered in a light dusting of snow. After a few more slow hours of driving, we found our way back into the main valley, where the two days of rain had closed a fair portion of the park. What that also meant, was Badwater Basin, the lowest point in the United States, had a few inches of water in it. This was a subject I had been itching to photograph for years.

Salt and Sky, Chamonix 4x5, Rodenstock 90mm f/6.8, 30” exposure @ f/32 on Fuji Velvia 50 - March, 2019

Salt and Sky, Chamonix 4x5, Rodenstock 90mm f/6.8, 30” exposure @ f/32 on Fuji Velvia 50 - March, 2019

Badwater Basin and Moonrise, Chamonix 4x5, Rodenstock 90mm f/6.8, 8” exposure @ f/32 on Fuji Velvia 50 - March, 2019

Badwater Basin and Moonrise, Chamonix 4x5, Rodenstock 90mm f/6.8, 8” exposure @ f/32 on Fuji Velvia 50 - March, 2019

The conditions absolutely did not disappoint. In fact, the rain provided our group with some of the best conditions in Death Valley that I had ever photographed personally. While our sunrises and sunsets at Badwater were not “epic,” the soft color palette was such an excellent balance to such a miraculous scene.

Want to join me on my next trip out to Death Valley? I’m headed back out there with Marc Muench in March of 2020, and as of right now, we have a few spots still left on the trip. Click the button below to see more information.

Death Valley Workshop, 2020

These images are all available as limited edition pigment print, which are listed below. Sizes start at 12x15” and editions are limited to 90 prints.

Salt Stream at Twilight Salt Stream at Twilight Salt Stream at Twilight Salt Stream at Twilight Salt Stream at Twilight Salt Stream at Twilight Salt Stream at Twilight
Salt Stream at Twilight
from $295.00
Desert Storm Desert Storm Desert Storm Desert Storm Desert Storm Desert Storm Desert Storm
Desert Storm
from $295.00
Salt and Sky Salt and Sky Salt and Sky Salt and Sky Salt and Sky Salt and Sky Salt and Sky
Salt and Sky
from $295.00
Badwater Basin and Moonset Badwater Basin and Moonset Badwater Basin and Moonset Badwater Basin and Moonset Badwater Basin and Moonset Badwater Basin and Moonset Badwater Basin and Moonset
Badwater Basin and Moonset
from $295.00
In Trip Report Tags death valley, muench workshops, photo workshop, 4x5, 4x5 film
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Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans
Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans
Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans
Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans
Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans
Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans
Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans
Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans
Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans

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