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Michael Strickland Images

Photographer and Printmaker
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    • Of the Earth - Fine Press Edition
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    • Platinum Palladium Printing
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A Digital Landscape Photographer's Introduction to Film

January 8, 2019

I am constantly asked questions about how I started and how to start shooting film. So, here we go! This guide is intended to be a story of my introduction to film as a landscape photographer, provide some tips, introductions and guidance, but in no means is it intended to be a foolproof method of shooting film. That’s a path that’s unique for everyone, so be prepared for failures and having some trial and error. That’s part of the process!

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In Photographic Technique, Film Tags film, film cameras, digital photography for film, digital photography, film for beginners, new to film
8 Comments
OceanoDunes_MStrickland

Dynamic Range - Do We Really Need It?

July 13, 2016

In modern digital photography, every new camera model announces its increased dynamic range, or ability to capture a broad range of light. All camera manufacturers are fighting to exceed their last model and their competitor's model, growing what seems to be an endless data sheet into a camera that can see in the dark, in all spectrums of light, can capture 10 gigapixels of data, and is essentially noise free...oh, and can also successfully fly into an erupting volcano. While I am all for the advancement of technology, part of me cringes when I see these specifications on all new camera bodies. What's missing in so many modern photographers is the ability to see and capture quality light. Mind you, I am writing this in the perspective of a landscape photographer. The advent of modern digital cameras have their place in other photographic mediums and strongly believe are important for the industry, so take what I say with a grain of salt.

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In Photographic Technique, Film Tags quality of light, dynamic range, digital camera, film camera, film photography, fuji velvia 50, photographic technique
2 Comments

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Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans
Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans
Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans
Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans
Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans
Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans
Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans
Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans
Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans

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