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Michael Strickland Images

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Windswept - Oceano Dunes, CA

Windswept - Oceano Dunes, CA

The Oceano Dunes

April 27, 2016

Sand dunes are somewhat of a photographer's paradise - at least for me. After living on the central coast for almost six months, I had never so much as heard about these, let alone ventured out here. After just receiving my Mamiya 7ii a few weeks earlier, I decided there was no better place to give it a test run than out at the dunes, which was practically in my back yard. Late fall in California marks the end of the dry season, and the dunes were feeling it. The wind had been blowing all day, and about two hours before sunset, it subsided leaving the perfect ripples. 

Clear skies are typically looked down upon with landscape photography. The texture in the sky adds interest and the reflected light from a layer of clouds illuminates the land. In the sand dunes, however, photographic opportunities are endless. With severe clear skies, I looked toward the texture in the sand. 

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Over the past year, I have been devoting a fair amount of time studying photographic art. I stumbled upon the work of Edward Weston when visiting Carmel, CA. Flipping through a book entitled "Dune" I realized the work was created less than five miles from my home in the Oceano Dunes. His work inspired this small I created on my Mamiya 7ii, all on transparency film. All are available for purchase, so please contact me if you are interested.

In New Release, Behind the Camera Tags oceano dunes, pismo dunes, sand dunes, central california, big sur california, california landscape photography, michael strickland images
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Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans
Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans
Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans
Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans
Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans
Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans
Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans
Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans
Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans

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