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Michael Strickland Images

Photographer and Printmaker
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Water and Stone: The Shaping of the West

March 2, 2017

Project Description:

This project examines the geology, flora, and large landscapes of the American West that have been shaped by the Colorado River watershed. Over centuries, rivers have shaped this landscape into seemingly endless canyons that each have their own unique qualities and characteristics. From the rarely seen black canyons, shaped by the Gunnison River to the red Navajo Sandstone, shaped by the Green, Virgin, San Juan, and the mighty Colorado itself, these forever-changing shapes are what makes the Southwest such a wonder of the world. Over the years photographing this epic landscape, my hopes are to show some of the more intimate stories of the west.

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In News Tags project, conservation, colorado river, american rivers, grand canyon association, 4x5 film, 8x10 film, large format
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My Arca-Swiss F-Field Metric 4x5 with Micrometric Orbix

My Arca-Swiss F-Field Metric 4x5 with Micrometric Orbix

Purchasing Guide: 4x5 Large Format Gear

February 23, 2017

Almost daily, I wake up to an email, comment, or private message saying, "I want to start shooting large format, but I don't know where to start. What should I do and what should I buy?" Awesome! That's great news! After responding to each and every one of you (thank you for being so kind to ask me), I have decided to put together a list of recommended equipment for those of you who want to start shooting large format. Remember, the used market is your friend when trying to find equipment. There's a few good Facebook buy/sell/trade groups for film equipment, the Large Format Photography Forum can be a good source, but generally, I've had good luck on eBay. 

Disclaimers:

*This is by no means a perfect solution and if you don't want to listen to me, by all means - don't. Everyone should has their own opinion and style and this is just what I have learned over the years. If I was starting fresh again, this is my guide.

**This is also guided towards 4x5 equipment, because of three reasons. 1) I guarantee you that you will make mistakes in this journey. A lot of them. You want those mistakes to be as inexpensive as possible. 4x5 is 4 times smaller by area than 8x10, thus making everything generally about 4 times less expensive. 2) Learning movements is a process and depth of field is always a challenge on large format. With 4x5, you have less of a challenge, which will lead to a more productive learning experience. 3) Everything is generally lighter and overall a less punishable experience than larger formats. Learning to compose on a ground glass can be tricky. 8x10 (and larger) is very rewarding, but I suggest you get your feet wet before diving in.

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In Gear Reviews, Film Tags gear, f-stop gear, arca swiss, camera support, camera, lenses, purchasing guide, 4x5, large format
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Heaven's Reach - Big Sur, California

August 25, 2015

Big Sur landscape photographer, Michael Strickland releases a new large format photograph from his favorite stretch of coastline in California. 

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In New Release, Behind the Camera Tags california, big sur, large format, new release, 8x10, landscape photography, seascapes, big sur photography, california landscape photography
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FlintHills.jpg

Final Morning in the Flint Hills

March 27, 2015

The Flint Hills, to me, is home. The prairie is where I found my passion for landscape photography and it's where I fine-tuned my eye. The Flint Hills is a place where I can find peace in the busy world and the sights and sounds I miss daily. It's a different landscape. One in which you have to actively seek beauty -- it doesn't scream at you like so many other places. It has a subtle, whispering beauty that takes a trained eye and a love of the land. People always laughed when I said I was a landscape photographer living in Kansas. Kansas has its own unique identity, which in my opinion is incredibly beautiful.

This was the last image I took in the Flint Hills before moving from Kansas to California so it holds a very special place with me.  I miss the wide open spaces and the unique light that Kansas has.

Kansas is still home and always will be, and I'm excited to be back for a few days this coming May. 

Tags kansas landscape photography, kansas, michael strickland images, large format, 4x5, black and white, flint hills, prairie
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Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans
Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans
Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans
Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans
Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans
Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans
Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans
Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans
Exiting the Lemaire Channel, Antarctica  Pentax 67ii, 90mm, Kodak Portra 160, Drum scanned @tangodrumscans Antarctic Sunset  Pentax 67ii, 200mm, Kodak Portra 400, drum scanned @tangodrumscans Blue Ice in Paradise Bay, Antarctica  Mamiya 7ii, 43mm, Kodak Ektar, drum scanned by @tangodrumscans Iceberg Near the Antarctic Sound  These ghostly giants drift silently by the ship, rolling, flipping, carving away at themselves until their inevitable fate at sea.  Pentax 67ii, 75mm, Kodak Ektar, drum scanned @tangodrumscans Gentoo Rookery With a View, Antarctica  Pentax 67II, 200mm, Kodak Ektar 100, drum scan @tangodrumscans Twilight Giants, Gerlache Strait, Antarctica  Pentax 67ii, 105mm, Portra 400, pushed 1 stop, drum scanned @tangodrumscans Three Gentoo Penguins at Neko Harbor, Antarctica  Pentax 67ii, 105mm, Kodak Portra 160, drum scan by @tangodrumscans Portrait of an Adelie Penguin, Brown Bluff, Antarctica  Pentax 67ii, 200mm, Kodak Portra 160, drum scanned @tangodrumscans

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